Vinyl Collecting 2025: Reissue vs. Original Pressings Explained

The vinyl resurgence is stronger than ever in 2025, with reissue labels cranking out everything from post-punk classics to obscure jazz rarities. But collectors often face a dilemma: should you buy a new reissue or hunt down an original pressing?

While reissues offer availability, the quality can vary wildly, especially with the popularity of colored vinyl and picture discs.

This guide breaks down how to identify high-quality pressings, both old and new, and given the price new reissue vinyl is fetching these days, helps you make smarter buying decisions.


1. Understanding the Basics: Originals vs. Reissues

  • Original Pressings: The first commercial release of an album. These are often prized for their authenticity and potential sound quality and usually hold more value than a recent reissue.
  • Reissues: Later pressings of the same album, sometimes decades later. Some are audiophile-grade, others are mass-market cash grabs, the rise in popularity of events such as record store day has created forced rarity of some reissues, and given rise to “Flippers” who will buy up multiple copies and resell at vastly inflated prices.

Tip: Check the dead wax (runout groove) for matrix numbers to identify pressing versions. Use sites like Discogs to confirm variants, this is a great habit to get into as it will often give you a better idea of the rarity as well as the average price.

Of course you also need to be savvy with Discogs, the average price indicator only shows a certain number of sales, and often surges can give unrealistic price points. This is especially noticeable with post RSD flipping frenzies.


matrix_runout_number
Matrix number in the runout groove (deadwax)

discogs_price_graph
Care should always be taken when researching price, Note that the top amount in this graph is due to one sale on the 12/14/21 and is not relative to the average.

2. Sound Quality: What to Look (and Listen) For

✅ Signs of a High-Quality Reissue (2025 Standards)

  • Sourced from original analog master tapes (look for “AAA” or “Mastered from the original tapes”). There are a number of companies now producing “AAA” pressings, however they do lift the price substantially and unless you have premium equipment to listen on, there is little benefit in buying these pressings, unless you feel the need for bragging rights.
  • Look for where the Pressings have been produced Companies like RTI (USA), Optimal (Germany), or GZ Media (Czech Republic) some are producing vinyl in variying degrees of quality with some pressings coming from the (EU) Czech Republic (cheaper production) resulting in some questionable quality.
  • Mastered by trusted engineers, such as Kevin Gray, Bernie Grundman, or Ryan K. Smith. This may require more research but can often result in better quality purchases and can also be quite collectable. One notable album pressing, Led Zeppelin II, which was mastered by Robert Ludwig, was known as the “Hot Master” due to its loudness. This album is identified by the “RL SS” in the dead wax and is widely sought after by collectors.
  • 180g or 200g vinyl, not always better sonically, but less prone to warping. That being said, I have seen a lot of new reissue 180g Vinyl latley with obvious warping, so it’s not always a given but it’s less likely to occur.

🚫 Red Flags

  • “Digitally remastered” with no mastering details, often compressed or flat sound quality.
  • Generic packaging or missing barcodes and credits. Knock off albums are a real thing, and some dodgy people are trying to cash in on the vinyl popularity surge, so be cautious of cheap albums if buying online.
  • Colour vinyl pressed purely for aesthetics, can increase surface noise, this is also a problem with picture discs, which are better for displaying rather than playing.

3. Key Labels to Watch in 2025

These labels are known for putting out top-tier reissues:

  • Tone Poet / Blue Note: Jazz audiophile reissues, all-analog chain.
  • Analog Africa: Afrobeat and funk rarities, beautifully packaged.
  • Music on Vinyl: High quality, often digitally sourced but reliable.
  • Rhino Records: Quality pressings for Audiophiles specialising in exclusive box sets.
  • Third Man Records: Analog-centric with bold packaging and unique pressings.

Pro Tip: Check user reviews on forums like Steve Hoffman or Reddit’s r/vinyl before buying, although it’s  good to be aware that forums can also be an echo chamber of negativity, so be open minded and always do your own research.


4. Originals: When They’re Worth It

🔍 What to Check:

Using the Goldmine standard of grading is the best rule of thumb, you can find a good reference piece here explaining it better.

Although there have been some adaptions to the rules, it’s always the best place to start.

  • Condition: Goldmine standard is the best rating for used vinyl, but there are exceptions when it comes to the grading. Sometimes, they can be a bit subjective, given that you’re relying on the seller to make the call.
  • Price vs. Reissue: If only slightly more, originals are often the better investment due to collect-ability and value increases over time.
  • Country of origin: The UK and US can differ in quality and collectability, eg; a UK first press Joy Division album is more sought after than a US pressing given the album’s connection to its country of origin. An exception is Japanese pressings, which are highly coveted by collectors for their superior sound quality and condition, due to Japanese collectors respectful treatment of their vinyl.

5. Where to Buy in 2025 (Online and Offline)

  • Discogs: Massive catalog and price data. Beware of over grading, always check the sellers reviews and ask questions.
  • Bandcamp & Label Sites: Many indie labels sell high-quality pressings direct to fans on Band Camp. This is also a great way to support new artists.
  • Local Record Stores & Fairs: Hands-on condition checking and digging opportunities, always be prepared though, Record fairs can be high pressure environments for buying which can sometimes result in poor decisions.
  • Instagram Collectors: Search hashtags like #vinylcollection and follow accounts like @xlnt_vinyls and @rhythm_exchange_records this is great for doing research and often accounts will have links to their Discogs or websites.
  • Ebay: Always, look at reviews first, this can be a great way to get albums you’ve been chasing for a while. It’s also an easier way to buy from international sellers. However, be wary of inflated costs. There’s a joke among collectors about vendors who set unrealistic prices as using “Ebay pricing”

Conclusion

Whether you’re chasing mint originals or exploring 2025’s latest reissues, being an informed collector makes all the difference. Use this as a rough guide to assess pressings based on source, mastering, pressing plant, and label reputation.

Always do your own research when searching out and purchasing records. There is a mass of information out there some of it good, some misleading, but the more you get out and crate dig and read up on vinyl, the more you’ll get to know what to look for and in turn manage to snag yourself some great deals.

The more you know the less you’ll get caught out by over priced vinyl, just because someone online thinks their VG++ 1st pressing of Frampton Comes Alive is worth a small fortune doesn’t excuse the fact you could probably look in any record store discount bin and grab four VG+ copies for 5 bucks! So it always pays to be in the know.

Happy digging!

Got a white whale bargain find to tell me about or a rip off reissue horror story? Drop a comment or tag me in a post on Instagram @rhythm_exchange_records I love to see your finds, good or bad.


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About Me,

Hi there ! I’m the music geek behind Rhythm Exchange Records, and I’ve been collecting records since the 80’s.

I use the term ‘records’ because, well, I’m a bit old school—and there’s something beautifully analog about both the word and the medium.

What started as a personal obsession has evolved into a side hustle built on the belief that every record deserves to find its perfect home.

I deal in both new and used vinyl, but more than that, I love telling a good story. Every album in my collection (and every one I sell) has a tale worth telling.

This blog is where those stories live. From rare 80s Post Punk pressings to mainstream classics, from the thrill of the hunt to the joy of discovery—I share it all here.

I’m no elitist; I believe the vinyl community is strongest when we lift each other up, whether you’re buying your first album or your thousandth.

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